While the Met Opera is closed due to the Covid-19 pandemic, it continues to offer extraordinary entertainment through its Nightly Opera Streams. The performances, originally captured as live broadcasts, begin at 7:30 PM on the company’s website.
'Die Walküre' by Wagner
Wed, March 3
The second installment of the Ring cycle, Die Walküre is the most popular and most self-contained episode in the epic tetralogy. It combines the mythical machinations of gods and demigods with the deeply human love story of the brave hero Siegmund and the dignified Sieglinde, whose passion is undiminished even when they discover that they are long-lost brother and sister, separated at birth.
'Die Zauberflöte' by Mozart
Thurs, March 4
Mozart’s final completed opera is many things—mystical fable, earthy comedy, humanist manifesto, arcane Masonic credo. More than all this, though, it is one of the greatest testaments to the composer’s miraculous musical and theatrical powers. No matter how you approach or interpret the story, it whisks you away into its uniquely enchanted world, and, like the magic flute that gives the work its title, has the power to “transform sorrow” and “increase the joy and contentment of mankind.”
'Peter Grimes' by Britten
Fri, March 5
Benjamin Britten’s gripping parable about an outsider fisherman’s persecution in a small Suffolk coastal village, and his slow descent into madness, offers one of the repertory’s most complex tenor roles as well as some of its most haunting and atmospheric music. No less treasured by the many singers who take up the work’s smaller roles, this riveting tragedy is a true vehicle for an ensemble cast, and it remains one of only a handful of mid–20th century operas to have found a lasting place in the canon.
'Rusalka' by Dvořák
Sat, March 6
A cornerstone of Czech opera, Dvořák’s dark and melodious take on the old Slavic yarn about a water nymph who falls in love with a human entered the repertoire in 1901. In recent decades, it has become a staple for lyric sopranos, who relish the title role’s spellbinding Song to the Moon in the first act. This stunning 2014 performance sees the great Renée Fleming take on the title character, one of her signature roles and a part that she sang nearly 20 times in three different runs at the Met.
La Forza del Destino' by Verdi
Sun, Feb 28
This riveting 1984 performance features legendary soprano Leontyne Price, one of the all-time great Verdi singers and the Met’s first African American superstar. As Leonora, a young Spanish noblewoman and one of the repertory’s most tormented characters, she endures the losses of her father, her lover, and her brother—as well as the guilt of being indirectly responsible for each of these calamitous events—before eventually being killed herself.